Elizabeth peer considers her work to be a dialogue with the past. I am interested in her work for the way it deals with memory, her use of family photography and craft and how she installs her works.
On lead:
The Seaside Series
Set of 6, editioned in sets of 3. Each piece measures 14ins x 14ins
Embossed lead/metallic pigments
Embossed lead/metallic pigments
Triptych for Salthouse
a large central piece (9ftx2'6") and two side pieces 6ftx1'6") suspended from acrylic rod with figurative imagery. Embossed/mixed media.
Date:
03/06/10
Photographer:
E.Peer
Other Media:
Retrieval System
Artist Book. cloth covered box with lid, contains wax "pages" of family portraits. dimensions of box 12x20x15cms aprox
knitting for baby
woollen pre-natal scans (machine knitted). each piece approx 26cm increasing to 32cm x 25cm deep
Small Memories
6 boxes, silkscreened exteriors, each 20x0x 25cms, referencing a dolls house. Interiors contain representations of the artist's childhood memories
Installations:
Lanterns
set of 20 paper lanterns/electric light/transfer prints
Lanterns encased
Set 0f 20 electric lights. transfer prints in glass case
Memory Field
Horizontal installation
120 tablets approx. 3ft x 7ft overall
Pigment on plaster
120 tablets approx. 3ft x 7ft overall
Pigment on plaster
trips around the boat....
view of installation at Bankside Gallery, London in 2007. Blackboard/chalk shows advertisement for seaside trips.
see 'work on lead' for detail.
see 'work on lead' for detail.
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