Author | Tala, Alexia |
Title | Installations and experimental printmaking / Alexia Tala |
Published | London : A. & C. Black, c2009 |
John Hitchcock
They are moving their feet--but nobody's dancing, John Hitchcock, 2007, large-scale variable size screenprint action
David Rhys Jones
Charles Baudelaire's concept of 'flaneur', the 'detached observer of the modern metropolis' p25
Works with memory.
"Family photo albums record both preservation and decay, lies and truth." (Peer, p27)
More on her in another post.
John Hitchcock (again)
Interactive installations
grew up near a military base
Belkis Ramirez
Dominican female migration to Europe for prostitution to support their families
Sexual exploitation
at once aggressors and victims
viewer can walk among the work, feeling part of it.
Alexia Tala
Influences by Gaston Bachelard's book 'The Poetics of Space'
built environment, urban city, society
Alexia Tala, First Memory (detail), 2008, woodcut moulded onto plaster
autobiographical memory within society
collected narratives of people's earliest memories, categorised these by feelings which make up the words on the sculptures. A book in the gallery displayed the memories for visitors to read
Zoe Schieppati-Emery
"idea of trying to capture and treasure a moment, the essence of a person and/or emotion, attempting to make substance of or represent something which, of its very nature, is transient" (p70)
life, death, the fragility of the human body
Jars filled with oil in reference to scientific preservation and embalming
Juan Castillo
Art practise based on studying society
Interviews with local people about their dreams (aspirations/hopes and sleeping dreams). Interviews happened in living rooms and the Castilllo also photographed their house fronts and most beloved possession.
2001, site specific installation, silkscreen, lightboxes, and parafin wax.
Mirta Kupferminc
'works with the reinterpretation of myths and cultural issues' (89)
Ser Testigo alludes to the Hebrew ritual of SHema Israel where one prays with covered eyes.
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